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11/19/2010

Versatility and entrepreneurial bent key to becoming a model of a modern major musician

I can't spend more than 30 seconds at the Royal Conservatory or University of Toronto's Faculty of Music without wondering how all these talented kids are going to earn their daily bread when they graduate.

A recent article in the San Francisco Chronicle suggests that thinking beyond the traditional models is essential these days, when you need to line up behind 200 other equally accomplished people for each orchestral audition.

The article begins with the story of cellist Zoe Keating, who plays for us, below.

The article is well worth reading, I think, whether you are a listener or performer. You can find it here.

 

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Sound Mind:
A Classical Music Blog



  • John Terauds started at the Toronto Star as a freelance writer in 1988, and has been on staff since 1997. He began writing on classical music in 2001, and has been the full-time classical music critic since 2005.

    He is also the organist and choir director at St. Peter's Anglican Church, a parish founded in 1863 in downtown Toronto.

    If he's not listening to, writing about or playing music, it means he's either asleep, unconscious, walking his dog -- or all of the above.

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