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10/27/2011

'Breathe and express' captures the core of every form of human expression

It wasn't just the usual zombie ride to work on the subway for me this morning.

Standing next to me from Bloor to King stations was a young man, probably in his early 20s, who was giving a friend an expertly detailed critique of a ballet choreographed by the late master, Sir Kenneth Macmillan. This man didn't look or carry himself like a dancer, but he spoke as if he had intimate knowledge of the artform.

At one point, he spoke of "breathe and express," as a way for dancers to pace their performances, as well as give them a better defined emotional shape.

It was one of those moments that focused so much of what any artist needs to do in performance -- be it an author shaping a manuscript, to a string quartet working together on stage. It also has a wonderfully Zen feel to it.

it could also be a new form of morning yoga: Breathe and express.

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Sound Mind:
A Classical Music Blog



  • John Terauds started at the Toronto Star as a freelance writer in 1988, and has been on staff since 1997. He began writing on classical music in 2001, and has been the full-time classical music critic since 2005.

    He is also the organist and choir director at St. Peter's Anglican Church, a parish founded in 1863 in downtown Toronto.

    If he's not listening to, writing about or playing music, it means he's either asleep, unconscious, walking his dog -- or all of the above.

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