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11/15/2011

Mainstream arts criticism is dying, but rather than sound the alarm, it's time to get creative

Michael Kaiser, president of Washington D.C.'s Kennedy Center, has written in the Huffington Post about the slow but steady extinction of professional arts criticism in mainstream media. He is deeply worried.

His final paragraph:

No one critic should be deemed the arbiter of good taste in any market and it is wonderful that people now have an opportunity to express their feelings about a work of art. But great art must not be measured by a popularity contest. Otherwise the art that appeals to the lowest common denominator will always be deemed the best.

As a recent former critic who still has one foot -- okay, more like a big toe -- in the game, I agree. But that doesn't mean there is no way to find creative ways to join the crowd's, or the cloud's, or the swarm's conversation in a constructive, engaging way.

The cultural universe as we've known it for the past century and a bit is in the middle of a massive realignment -- larger than most of us can even imagine. And I don't think I'm being hyperbolic.

Here is a tiny sliver of an example of what I mean, taken from the pop music side of the business.

More soon.

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Sound Mind:
A Classical Music Blog



  • John Terauds started at the Toronto Star as a freelance writer in 1988, and has been on staff since 1997. He began writing on classical music in 2001, and has been the full-time classical music critic since 2005.

    He is also the organist and choir director at St. Peter's Anglican Church, a parish founded in 1863 in downtown Toronto.

    If he's not listening to, writing about or playing music, it means he's either asleep, unconscious, walking his dog -- or all of the above.

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